Todays soundtrack during work in the Studio:
Simple Minds
Talking Heads
YES
The Cult
Alice Cooper
I guess I’m still living in the 80s…
Enjoy!
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v. Paintshooter Carl Beck
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Todays soundtrack during work in the Studio:
Simple Minds
Talking Heads
YES
The Cult
Alice Cooper
I guess I’m still living in the 80s…
Enjoy!
If you enjoyed this post, make sure you subscribe to my RSS feed!
{ 0 comments }
Pillory
Pronunciation: \ˈpi-lə-rē, ˈpil-rē\
Function: noun
Inflected Form(s): plural pil·lo·ries
Etymology: Middle English, from Anglo-French pilori
Date: 13th century
1 : a device formerly used for publicly punishing offenders consisting of a wooden frame with holes in which the head and hands can be locked
2 : a means for exposing one to public scorn or ridicule
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“Ørestaden” is a newly built part of Copenhagen that used to be a desolate field on the island of Amager. That was before they built the Bridge of Øresund connecting Denmark and Sweden. At the time the idea behind Ørestaden was to create a huge area of urban dwellings for the growing population of the combined Copenhagen/Malmö region.
And so they built. Each new housing project more ambitious than the next. Each architect had his own idea of a magnificent building. Every square meter of allowed retailspace was jammed together in “Fields” – The largest shopping mall in Scandinavia. No cafes, no restaurants, no cosy little places to hang out. No-one thought about the urban area as a whole and what it takes to create what James Kunstler calls a place worth caring about.
Sadly Ørestaden now looks to become yet another ghetto. It’s simply not a place that anyone want’s to visit because it doesn’t speak to us. It’s bleak and inaccessible. From an architectural standpoint many of the buildings in Ørestaden are succesful. VM bjerget – “Mountain Dwellings” is an example of this, having won 4 international awards. Blame it on the recession, but apartments in VM -bjerget are now being offered for rent at reduced prices.
Art has many of the same characteristics as architecture, Not coincidentally the Danish School of Architecture is housed in the Royal Academy of Arts. So what makes some art more popular than other? Technical prowess, Depth, Originality, Visual aesthetics? Art may possess all these qualities yet still not hit home with the audience.
Whether we like it or not, the brand of the artist as well as the accessibility of his work is a deciding factor.
I feel comfortable owning a piece by an artist whose story and background I know, whose reputation is well known in general, whose art appeals to me and is easily accessible.
Does accessible mean that the art is shallow and has no depth? Ask David Hockney
The value of art has historically been closely linked to the story of the artist.
The new paradigm of art is really not new at all – The artist is responsible for maintaining and increasing the value of his art. Though storytelling, through promotion and any other means possible.
I am committed to this task, blogging is just one tool.
Enjoy todays Mirror Mirror (top).
Buy it here:
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The next piece in the Mirror Mirror series. Acrylic paint and watercolor on A3 sized Hahnemühle torchon paper.
You can buy the piece here:
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I was out walking with the twins yesterday and decided to swing by one of Copenhagens more upscale galleries. This place is not much different from the rest of the galleries here, but having the twins along gave me an opportunity to see things from a different perspective.
The Gatekeeper. The gallery is 4 steep steps up from street level. Very prohibitive when entering with a pram, but I managed somehow.
At the outset I am not saying that bringing 2 4-month-old toddlers to an art show is necessarily a good idea, but at least it got me thinking about the way traditional galleries approach their audience.
White floors, white walls, white ceiling. The traditional way of presenting art is to remove it from it’s context. This serves to enforce the notion that the item showed really IS art and eliminates any doubt in the eyes of the observer. This is one of the cornerstones of the “Found Objects” branch of art which claims anything can be art as long as it’s removed from it’s context. Think only of Damien Hirsts Sharks or Duchamps urinals.
Intimidating. The traditional art gallery is not for everyone. Whether this intimidating atmosphere is intended to discourage the observer from questioning the artistical quality of the items showed or simply to attract and repel certain segments of viewers is open for debate.
It’s probably a little bit of both though.
The traditional gallery is dying.
Like the cartoon? check Out Hugh Macleods work.
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